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Music Questions and Answers for Competitive Exams | Indian Music Quiz Set 8

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Free Download as PDF Music Quiz Questions and Answers for Competitive Exams or solved MCQs with answers. These quiz objective questions are helpful for competitive exams SSC, UPSC, IAS, IPS, CDS, NDA, Railways or RRB, psc exams of Andhra Pradesh, Arunachal Pradesh, Assam, Bihar, Gujarat, Haryana, Himachal Pradesh, Jammu & Kashmir, Karnataka, Kerala, Madhya Pradesh, Maharashtra, Manipur, Meghalaya, Mizoram, Nagaland, Orissa, Punjab, Rajasthan, Sikkim, Tamil Nadu, Tripura, Uttar Pradesh, West Bengal, Chhattisgarh, Uttarakhand, Jharkhand, Telangana etc.
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(1) Which among the following scholars has not mentioned ’Janya-Janak-Vyavastha’ ?
(1) Hriday Narain Deo
(2) Shriniwas
(3) Lochan
(4) Matang
Answer: Matang
(2) Which among the following factors are necessary for voice enhancement, according to Bhatkhande ?

(a) Proper Voice production

(b) Voice sustainability

(c) Breath control

(d) Technical understanding of ragas

Code :
(1) (b) and (d)
(2) (a), (b) and (d)
(3) (c) and (d)
(4) (a), (b) and (c)
Answer: (a), (b) and (c)

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(3) Identify the raga, which does not have ’Pancham’ :
(1) Sohni
(2) Suha
(3) Gaud Malhar
(4) Bahar
Answer: Sohni
(4) Choose the odd :
(1) Roshanara Begum
(2) Bhimsen Joshi
(3) Gangu Bai Hangal
(4) Rehmat Khan
Answer: Rehmat Khan
(5) Which among the following pairs is not correct, according to the ‘Shruti-Swara-Sthanas’ of Lochan ?
(1) Re - 7
(2) Ma - 13
(3) Pa - 16
(4) Ni - 22
Answer: Pa - 16
(6) Identify the note which separates Bihag and Bihagda :
(1) Re shudha
(2) Ma shudha
(3)
(4) Ga shudha
Answer: NI komal
(7) ‘NI Dha Ni SAɺ ’ phrase is commonly used in which of the following ragas ?

(a) Miyan Ki Sarang

(b) Miyan Malhar

(c) Bahar

(d) Sur Malhar

Code :
(1) (b) and (d)
(2) (a), (b) and (c)
(3) (b), (c) and (d)
(4) (a), (b) and (d)
Answer: (a), (b) and (c)
(8) Identify the following texts in chronological order :

(a) Anoop Sangeet Ratnakar

(b) Swar mela kalanidhi

(c) Ragtatvavibodh

(d) Brihaddeshi

Code :
(1) (d), (c), (a), (b)
(2) (d), (b), (a), (c)
(3) (c), (d), (a), (b)
(4) (a), (d), (c), (b)
Answer: (d), (b), (a), (c)
(9) Madhyamgramik ‘Pancham’ is :
(1) Shatshrutik
(2) Trishrutik
(3) Panchshrutik
(4) Chatuhshrutik
Answer: Trishrutik
(10) Aiming to the convenience of ‘Mela-Prastara’, which notes are termed as ‘Ra’, ‘Ri’, and ‘Ru’ ?
(1) Shudha rishabha, Panchshrutik rishabha and Chatuhshrutik rishabha
(2) Dwishrutik rishabha, Shudha rishabha and Chatuhshrutik rishabha
(3) Trishrutik rishabha, Chatuhshrutik rishabha and Panchashrutik rishabha
(4) Shudha rishabha, Panchshrutik rishabha and Shatshrutik rishabha
Answer: Shudha rishabha, Panchshrutik rishabha and Shatshrutik rishabha
(11) Identify the scholars, who have written annotation on Sangeet Ratnakar ?

(a) Kallinath

(b) Keshav

(c) Singh Bhupal

(d) Abhinavgupta

Code :
(1) (a), (b) and (c)
(2) (a), (c) and (d)
(3) (c) and (d)
(4) (a), (b) and (d)
Answer: (a), (b) and (c)
(12) Who is the author of ‘Raga Vigyan’ ?
(1) Omkar Nath
(2) Vinayak Rao
(3) Lalit Kishore
(4) Vimal Kant
Answer: Vinayak Rao
(13) The term Magadhi is a variety of which style ?
(1) Alap
(2) Khayal.
(3) Prabandha
(4) Geeti
Answer: Geeti
(14) In Vishnudigambar Notation system which signs are used for Sam and Khali ?
(1) + and 0
(2) 0 and 1
(3) − and +
(4) 1 and +
Answer: 1 and +
(15) Which classification has been given in Sangeet-Darpan ?
(1) Thata - Raga
(2) Raganga
(3) Purvang - Uttarang
(4) Shuddha - Chayalag - Sankirna
Answer: Shuddha - Chayalag - Sankirna

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